Ponies, ponies, ponies
Leila Berg (1919-
She agreed to go to teaching college in 1937, for a term only, and spent that term organising support and aid for the International Brigade, fighting in the Spanish Civil War. She left before she was asked to remove herself. She took an Arts course at the University of London which included journalism, and then worked for The Daily Worker. She married, and was bombed out of her home. Unimpressed with the children’s books on offer, she started writing for her own children, and had immediate success. Her books, she thought, were not accessible, as they sold at high prices, so she wrote for the Brockhampton Press, who sold books for 5/-
Access to literature remained a central part of her work. In the 1960s, she wrote the Nippers series for Macmillan, “"books which fit the child [and] fit his experience." The books moved away from the comfortable middle class world of Janet and John, and showed a world where houses had no internal water and children played on dumps. There was outrage from the schools and local authorities sent advance copies of the series: this world could not exist. Housing reports produced at the time proved that it did. Children were suddenly presented with a vivid picture of the world they actually lived in. Leila Berg found, reading her book in schools: “"I was having to read through laughter all the time, continuous, constant laughter, not ordinary laughter. The children were hugging themselves and jumping up and down, hugging their neighbours in this warm, physical, clutching way. As I watched them they were getting loose and limp in front of me. I was quite shaken."
Berg’s achievement in writing Nippers was recognised when she was awarded the Eleanor Farjeon Medal in 1974. She continued to write books that were not comfortable: her Little Pete stories were condemned by some listeners to the BBC adaptation as too naughty, though surely Pete simply continued the tradition started by middle-
Finding the book: reasonably easy to find, and not generally expensive.
Links and Sources:
Leila Berg’s website
An interview with Leila Berg
Many thanks to Lisa Catz for the photograph and summary
Andy’s Pit Pony
Brockhampton Press, Leicester, 1958, illus Biro, 88 pp.
Hodder & Stoughton, 1980, 88 pp.
In Brandlebury, everyone works in the mines, but 15 year old Andy wants to be a vet. Andy’s
miner father is determined to send Andy to college. Andy often visits the wild mountain ponies,
and is particularly fond of one he calls Piper. Andy’s father then has an accident, and Andy has
to go and work in the mines to make ends meet. There he finds Piper is now there as a pit pony,
and the two work together. The mine often sends their ponies to shows to prove how well they
are looked after. Andy tries to take Piper to a show, but he cannot cope with the world outside the
mine. Andy takes out his disappointment on Piper. Piper later saves Andy’s life, but injures his leg,
and has to be sent out of the mine to recover. Andy is then able to take him to a show.